Thursday, August 21, 2025

Not Learning Being In Two Places At Once

 



 



It is a landscape

Where sunsets

And sunrises

Share

The space

Of an August

Rain

 

Where

Unshaved men

And women of no

Age

Share sage flower

Without promise

To rub

Their hands

With gratitude

 

Where

Cities of steel

March to ocean fronts

To stay

Away

From what men

Can do

When unwelcomed

To the silence

Of a secret

Whisper

 

Where

Red-tailed hawks

Build their

Eyrie

In brush

Above

A quail nest

To keep them

Safe

 

When

Sunsets and sunrises

Make the

Landscape

For August

Rain

In the

Same space

Where once

Unshaved men

And women of no

Age

Rubbed their hands

With

Sage

Flower

And smiled

To

Secret

Whispers

 

August 21, 2025

©Vahé A. Kazandjian, 2025


I took this photo in front of the Colosseum in Rome

Sunday, August 10, 2025

Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing (T.S Elliot, Four Quatrets)

 





I went to the funeral of a mentor and friend exactly half a century after we met.

At the airport I recalled moments of our working together around the world. The vast communication we maintained about the arts, sharing our writings, paintings and sculpture. We published scientific works together and for decades taught two generations of public health students.

The last year of his life he did not recall who I was.

… While waiting for my flight back, I recalled the lines from T.S Elliot in “East Coker” about waiting without hope. I had read these lines before when faced with the dilemma of acceptance. And in the stillness of my await in an airport where all around me were eager to return to homes and the familiar scent of a warm bed were their siren song, I thought about all that I had found in waiting. Even though I was an explorer, carrying my body over continents or when, in the stillness of moments, letting my mind take flight.

But I have always engaged with the moment, and often engaged the moment in the process of waiting. Now, I found T.S Elliot’s “East Coker” perfect for my returning from a funeral.

Old men ought to be explorers

Here or there does not matter

We must be still and still moving

Into another intensity

For a further union, a deeper communion

Through the dark cold and empty desolation,

The wave cry, the wing cry, the vast waters

Of the petrel and the porpoise. In my end is my beginning.

 

… It was at this moment of reflection when a woman sat in front of me, took her phone out of her bag and in a prostrate position stared at her phone for a long while. In await. For a message to come through. Perhaps for a promise or an apology.

 

And the last lines from the “East Coker” took on a whole new reality.

 

“I said to my soul, be still and wait without hope

For hope would be hope for the wrong thing;

wait without love,

For love would be love of the wrong thing; there is yet faith

 But the faith and the love are all in the waiting.

Wait without thought, for you are not ready for thought:

So the darkness shall be the light, and the stillness the dancing.”

 

 

August 10, 2025

©Vahé A. Kazandjian, 2025


Saturday, August 2, 2025

Love Is a Rebellious Bird That No One Can Tame (From Habanera in Bizet’s Carmen Opera)

 




 

It is Saturday and I picked up a book of poetry, as I do most weekends. My dog knows the routine, so he found his spot next to my painting easel and let go of a gentle sigh.

 

I did not read poetry in July. It was a difficult month and my mood was to melancholy. I was glad when August announced itself and the desert welcomed me back. So it was appropriate for me to reread for the nth time the classic poem by Arthur Rimbaud “Une Saison en Enfer” (A Season in Hell).

But somehow, the famous lines of Habanera from Bizet’s Carmen drove me away from the poem. I started whistling and the lines kept repeating in my head:

L'amour est un oiseau rebelle
Que nul ne peut apprivoiser


L'amour est enfant de bohème
Il n'a jamais, jamais, connu de loi

 

(Love is a rebellious bird
That no one can tame


Love is a bohemian child
He never, ever knew any law)

 

Hmm.

I searched for the B&W, 1964 video of Maria Callas singing Habanera. My favorite interpretations of that operatic passage from Carmen are by Callas and Elina Garanča. But today, the extraordinary coloratura voice of Callas was not what I desired. Rather it was Garanča’s mezzo-soprano timbre and her range of emotional interpretation that I was craving.

When I started playing Garanča’s Habanera as she portrayed the teasing and playful Carmen at the Metropolitan Opera in 2009 (my favorite of all her other interpretations over the years), I knew I had gotten over July. Even my dog opened his eyes and was happy to see me enjoying the moment. Then, he went back to sleep.

As the 6 or so minutes of the video were ending, I recalled another moment from a few years ago. I was reading poetry when I heard a loud hit on my window glass. I looked out and a hummingbird had misjudged its space and hit the glass in flight. I went out and picked up the bird, which to my delight, was alive but seemed in shock after the accident. I immediately took a picture with my phone hoping that it will “come to its senses“and fly away soon.

Which he did.

….I did not read Rimbaud today. But the memory of that moment when the hummingbird left my open palm reminded me of Habanera’s message.

 

August 2, 2025

© Vahé A. Kazandjian, 2025