Sunday, May 8, 2016

Mallarmé, Einstein and the Navajo Wisdom



It has been raining for days. It is cold, dark and wet in the desert.

Apocalyptic fires are burning in Alberta, Canada. An entire city has burned, almost 100,000 people evacuated. The skies have been night-like for days over Alberta while burning amber fills the thick air. The smoke from the blaze has traversed the continent and now can be seen in Florida.

So, I put on wool socks and fired up the fireplace. Not only for warmth but also for brightness. The skies are dark and the flames give the feeling of protection. My dog curled up under my chair to warm up his aging joints.

It was a day for poetry and contemplation.

… Yesterday, when the rain stopped for a brief moment and the sun appeared, a magnificent rainbow shaped in color and hope. So, while staring at the fire, I recalled a few lines from “Song of Nature” by Ralph Waldo Emerson:

No ray is dimmed, no atom worn,
My oldest force is good as new,
And the fresh rose on yonder thorn
Gives back the bending heavens in dew.

My oldest force. Perhaps because it is Mother’s Day today that I thought about my mother, my oldest force. I recalled, as a child, putting my head upon her knees and asking her to run her fingers thru my long, curly hair. On this cold and rainy day, I had the feeling of a phantom limb running over my head.
Somehow, I thought of an 1850’s poem by Stéphane Mallarmé

Qui jadis, sur mes beaux sommeils d'enfant gâté
Passait, laissant toujours de ses mains mal fermées
Neiger de blancs bouquets d'étoiles parfumées.
                          (Who, in the blissful dreams of my happy childhood
                         Used to hover above me sprinkling from her gentle hands
                         Snow-white clusters of perfumed stars.)

Mallarmé. I have read many of his works when I was fervently a Baudelaire fan. The most challenging poem by Mallarmé is called “Un coup de dés jamais n’abolira le hazard” (A throw of the dice will never abolish chance) where he used visual organization of words, letter fonts and their special arrangement to allow for many interpretations. A line has stayed with me over the years:

cadavre par le bras / écarté de secret qu’il détient”  (corpse by the arm / unattached to the secret it holds.)

A body that holds a secret. A secret that lives within a body. And the phantom hands of my mother that reached my head from the l’au delà, the hereafter.

… A throw of the dice will never abolish chance. A century later Einstein used a similar thought to describe the cosmic determinism he believed in. When criticizing quantum mechanics and its suggestion that probability and randomness are inherent to the seeming order and determinism, he said:
                                    “God does not play dice with the universe.”

But if God (however defined) did play dice, Mallarmé suggests that the rules of chance and probability would not be affected. That we would continue to be subject to certain randomness no matter how we act. Or, as I understand it, our indeterminism is pre-determined!

… I must have chuckled loudly at this thought as my dog woke up, looked at the dark skies outside, looked at me, re-positioned himself and went back to sleep.

So, there is determinism, but it is not absolute. Like rivers that search for their sea or ocean. Is it the destiny of a river to find its sea? Can a river be a lesser river if it does not find its ocean?
A few lines by Jorge Manrique came to mind:

Nuestras vidas son los rios
Que van a dar en el mar
Que us el morrir
                                  « Our lives are the rivers
                                     That empty into the sea
                                     That is our dying”

Are we the rivers determined to find our sea? A sea of tempestuous loving? An ocean of vast emptiness? Is our journey our identity before it gets transformed into a grander find? Or it does not matter if we throw a dice, just for the fun of it?

… Living in Arizona and through Native American songs/poems I have discovered a new wisdom about nature and our relationship to it. Many of these songs are associated with rituals such as initiation rites, planting or hunting. Recently I read the lyrics of a Navajo song that on this rainy day in the desert brought together my wandering thoughts back under the rainbow:

Truly in the east
The white bean
And the great corn plant
Are tied with the white lightning.
Listen! Rain approaches!
The voice of the bluebird is heard.
Truly in the east
The white bean
And the great squash
Are tied with the rainbow.
Listen! Rain approaches!
The voice of the bluebird is heard.

… Yet, the rain will end soon. I will take off my warm socks, let the fire exhale in the fireplace, and wake up my dog. Then together we will go out looking for a rainbow.

May 8, 2016
© Vahé A. Kazandjian, 2016



Wednesday, May 4, 2016

Identity Has an Unknown Face

I was researching articles about facial reconstructive surgery. I came across a recent report about the work of Doctors Without Borders, or Médecins Sans Frontiers (MSF), in a hospital in Amman, Jordan (1). 

It is not a new topic for any war zone yet I was compelled to read because of one paragraph:

“The mission of this one-of-a-kind hospital, funded and run by MSF, is to rebuild the identities of patients, most of whom are forced to confront their trauma every time they see their reflection.”

Rebuilding identity. Most of us search for our identity not because we lost it but because we never found it.  We go back to identify ancestry, history and life experiences. If lucky, we just build our identity based on the inherited.

Rebuilding is totally different. It has nothing to do with the past, but all about the type of future one can now construct.  And this time it is an identity that we let others, like surgeons, decide what it will be.

I remember a saying about mirrors:

                   “Mirrors should reflect twice before sending our image back to us.”

…. For some reason I then looked for a picture I took last year but left it in the drawer. I was looking at the bronze sculpture of an unknown woman in a corner of a museum yard. It was perhaps a famous woman once, but now frozen in bronze and left in that corner. Even with a small plate about the artist, she had no identity.




Then, as I like for most of my street photography moments, a woman peeped into the yard from behind the iron fence. Her hair was very similar to that of the unknown, bronze face that was facing me. 

For a split second I thought about identity and being “imprisoned” behind the bars of ancestry, history or life experiences.

So I clicked because that is what I do when I have my camera hanging from my neck.

May 4, 2016
© Vahé A. Kazandjian, 2016

(1)   “Plastic Surgeons Treat Physical And Psychological Wounds In The Middle East” http://www.huffingtonpost.com/entry/plastic-surgery-jordan-hospital_us_56e9ab9fe4b0b25c91843d60