Wednesday, December 13, 2017

The Loudest Noise





In the mirror I have seen
A healed memory
Of who walked often-taken
Paths
And got lost

But there were others there
In search of their compass
In the hope they will not
Find the North
Nor the South

It is the moment
Often-taken paths take away
From those who forget
That to find
One must stop
And just listen

I have stopped often
To find others next to me
Listening

… In the mirror
I have seen the healed memory
Of all those who stopped a while
To share the secret
Of being lost
In the moment
On often-taken
Paths

December 13, 2017
© Vahé A. Kazandjian, 2017


Sunday, November 26, 2017

A Scar is What Happens When the Word is Made Flesh.” ― Leonard Cohen, The Favorite Game



…When the flesh has a name
It teasingly forgets
That you also have a name

And all becomes unlived
As if a stay in bed
To miss the sunrise

…When the flesh has a name
It hides its own scars
To surprise the hopeful

And all becomes new again
To last the space of a good-bye
And miss a lonely sunset

…But that name comes back
As flesh, scar and poem
To remind you one night

That you still
Have a name


November 26, 2017

Saturday, November 18, 2017

Gardenia Flower



My key locked itself
In the hope of a return
To what was now a story
Simple and common story

Rainy mornings in cities of people
Now are open spaces where I wonder
About teary people in cities of steel
Within them the past lingers, and the story hides

My key lost itself
Next to a window
On a rainy day
In a town with no past

...And, if I push open again
My window shutters one day
I may tell a story
To a new morning and day

And then
Throw my key away

November 18, 2017

© Vahé A. Kazandjian, 2017

Tuesday, November 7, 2017

Algún Sonido

It is November and the sky is heavy. Dead leaves are everywhere on the city streets and the desert is browner than usual. Large raven fly in groups and dance the fall farandole.

A good time to read poetry.

Coral Bracho is a contemporary Mexican poet who celebrates the daily life. I like his neo-baroque style and have read some of his poems translated to French. I came across a lovely translation in English of a poem I like. It is entitled “Among the Ruins” (Entre Estas Ruinas), and somehow it did hit a personal note today. In a strange way it reminded me of a photo I had taken a few years back of my two dogs. It was with a Yashica 124 and contre-jour. But it has a lot of feelings to it as I associated that photo with the wait.





Here are the opening lines of the poem in Spanish:

Este hotel es una Antigua escuela,
uno lo siente a pesar del tiempo.
A pesar de los muros derruidos,
de los espacios rotos.

And the translation:

This hotel is an old school,
you can feel it, though time has passed.
Despite the broken-down walls,
the smashed spaces.

The author looks for his old room in this hotel in ruins and ends the poem as such:

From here, all the spaces are back to front.
Perhaps I will recognize the look of my room
by its own back.  Or from it, perhaps, I will catch
some sound. (O tal vez reconozca de él
algún sonido.)

It was the choice of the word “sound” that made me uncomfortable. It is just too soft, too anti-climactic. Depending on my mood when reading this poem, I would have looked for murmur, a crashing wave, a roar of the surf! For example “sonido del mar” is more than the “sound of the sea”—it is the roar of the surf and the crashing of the waves!

But, it is November and the sky is heavy. And the slight evening wind is humming through the dry, fallen leaves on the city streets…

November 7, 2017

© Vahé A. Kazandjian, 2017

Wednesday, November 1, 2017

The Oak Sleeps in the Acorn (James Allen)

It is the first day of November and trees have let go most of their cover and leaves. It is time to be tree again – naked, unassuming but full of promise.
Because indeed the oak sleeps in the acorn, as James Allen wrote in A Man Thinketh. Because the memory of what we have done or produced defines who we are.

… I periodically re-read works which once affected me. Not only because I am eager to discover what I have missed during previous readings, but also to uncover how I interpret ideas as I change. It is both a re-discovery of the written works and a discovery of my-self.

So, I re-read a bit of Hume and a bit of Locke. These philosophers have helped me ask the questions for which I seek no answers, since these all pertain to the notion of identity. Indeed, in my humble and amateur way, over the past half a century I have been faced with notions of identity that have shaped my actions. And they have shaped my writings in books, articles, blogs and on numerous tortured pieces of paper that never graduated to becoming published.

Because the oak sleeps in the acorn.

Because there is no “I” in identity.

Because I was told that I can only recall and act upon my own experiences. No one else’s.

And therefore personal identity is defined by personal memory alone.

… Locke shaped entire generations of philosophers with his statements about memory and identity. And Hume criticized our believes in causality so radically that even as a researcher I often stopped to think if causality was indeed a normative concept or a human translation of the senses we harbor within ourselves, during our short passage.

But, I never sought answers. Because I grew up with the notion that “regret” is an illogical construct. 

Because one can really never regret given that one is never the same person as when an act or thought was undertaken. Man is variable in time and space. The memory of a past act is based on the consciousness we had on that very moment of the act. When consciousness changes in time and space, that memory becomes irrelevant to our present consciousness. We thus cannot regret that act-memory. It is unfair to the memory of that act!

If our consciousness changes, should we also expect a change in our self- identity?

… The relationship between consciousness, memory and identity is dictated by our spacial impulse to be what we are. Not necessarily who we are.

We are acorn with a promise of an oak tree. But we are not an oak tree.
So, when do we become an oak tree? Or even more importantly a forest of oak trees?
In other words, group identity. Is it the sum of self-identities that change over time? If so, then historical causal relationships cannot exist in a group because if acorns become oak trees with random frequency, unequal probability, and exposure to changing environments, then the memories of their experiences is different. Each acorn recants its experience differently.  So, how can these dissimilar recollections of memories add up to a group identity, which suggest uniformity and uniform conforming to normative attributes?

… I have always been amazed by the above concepts within the context of Quantum Mechanics. Consider Heisenberg’s Uncertainty Principle. It says that the momentum and position of a particle cannot be simultaneously and precisely measured because by the time the momentum is measured the position is less specifiable. In fact all wave-like elements adhere to this Principle.

So, if Hume and Locke were contemporaries of Heisenberg how would they view the sub-particle theories affect their thinking? Would they see a grander Principle that affects the memory and consciousness move (wave-like) through time and space like sub-atomic particles do? Would there be support for the concept of identity for not being a singular happening during the life of a person but a series of self-consciousness changes that in turn change identity itself? Is there a universal principle that best describes all movements in nature as identifiable only one point at a time and subject to change over time and space? 

It is the first day in November and the wind makes dead leaves dance in the street.

November 1, 2017
© Vahé A. Kazandjian, 2017





Wednesday, October 25, 2017

Quiet Passage





A cherry tree grew
With no promises
Fruits do not make a tree
It roots do

The ground grew wild flowers
A coffin fell apart
Under it
Flowers never knew the secret

Rain fell upon
The cherry tree and wild flowers
The coffin got wet
Drop by drop

The coffin was already wet
Of tears and songs
The cherry tree grew
With no promises

Of fruits

October 25, 2017

©Vahé A. Kazandjian, 2017

Sunday, October 22, 2017

Eventide




It is that space
Between two looks
That reminds us
How to be one

One with oneself
When others dance
Step in long step
And chest to chest

And in that space
Only thoughts echo
Only memories flow
Away from silence

For silence is like shadow
In need of a bright day
Upon streets of stone
Near balconies of iron and wood

It is that space
Where names call on August nights
Names upon which
Time has had no mercy


October 22, 2017

©Vahé A. Kazandjian, 2017

Saturday, October 14, 2017

Molina Prostrata






Older women
Cure
Maladies
Only young women
Can provide
During full
Moon

          Older men
          Sleep
          Under a full
          Moon

                    Until
                    They hear
                    A coyote

                              At sunrise
                              They search
                              For a matron


October 14, 2017

© Vahé A. Kazandjian, 2017

Monday, October 9, 2017

Very Late at Night


I may let the wind
Take me on a flight
Into a space I know
And over a thought I often
Had

I may ask the clock
To keep its arms apart
Like I did once
In a train station
In August

I may let the flow
Guide where I aim to go
Hoping to not again end up
Where I have already been

And when I get there
The wind may die down
The flow would become a pond
And the clock would rewind
Itself

As I have done
Every August
Since

October 9, 2017

© Vahé A. Kazandjian, 2017

Thursday, October 5, 2017

But I still Have Molly



I walk my dog on the square of the small cowboy town a few miles from home. Now my dog is 14 years old, he lost sight in one eye, and I need to speak louder for him to hear. Still, he looks forward to these daily walks. In fact, we walk less and less. He stops frequently, says hello to the dogs he meets every day, and at some point just lays down there watching the world pass him by.

So our “walks” are really social outing, not exercise any more.

During these social moments, I meet many of those in a similar situation as I am. So we talk about our dogs, the weather, and sometimes women.
One of these folks is a man who walks Molly. I have now seen and talked to him a few times in the past year and enjoy seeing him. He is in his late 80s perhaps, but in good shape and always in good spirits. Molly is a mix, mostly Collie. She is 5 years old and very calm, making her the perfect “laying down” companion for my Rocky.

I had not seen Molly or the man-at-the-other-end of her leash for a while. I saw them this afternoon.
“How are you, “ I asked.
He rotated his right hand sidewise. “Coussi-coussa.”
“Your back acting up again?”
“No, I lost my wife.”

We looked at each other for a few minutes. There is nothing to say in moments like that.
“She was unable to recognize us for a while. Three weeks ago she fell and broke a clavicle. Then the hospital, and nursing home.”
“Were you with her when she passed?” I asked.
“Yes, she sat down to have dinner in her bed, did not eat. A minute later she was gone.”

I put my arm around him, and he put his around me. We stayed silent for a while.
“We were married for 62 years,” he said, “we had a good life.”

And then he looked down, smiled slightly and said:
“But I still have Molly.”

October 5, 2017

©Vahé A. Kazandjian, 2017

Sunday, October 1, 2017

New Blog

I wanted to let my visitors know that I started a new blog where I will be displaying some of my experimentations with painting and other modes of visual expressions. I am eager to hear comments!!

The blog can be seen at this link: https://vaheark.blogspot.com

October 1, 2017

©Vahé A. Kazandjian, 2017

Monday, September 4, 2017

Neerwanna






It is not a place
But a state
Of mind

It is here
Within me
And has a name

It has no more fears
But just a choice
To accept

It is a name
I left alone
Near a sea shore

When lust became
A fading image
In black and white

And the ordinary
Became celebrated
Within me

For I gave it
That same name
Just to remember

That every lock
Can be unlocked

And every name
Can be kept

In secret

September 4, 2017

© Vahé A. Kazandjian, 2017

Thursday, August 24, 2017

Amor Fati ( Nietzsche)








It is not a place of peace
A tent of shade or a palace
Lotus flowers do not float there
In ponds silent or lost

I have not chosen
Nor was I chosen to be
Chance, perhaps, or coincidence
Have found me searching for me

It is not because of love
That I have loved those I once met
On serpentine roads or in cities of stone
It is because I just was there

One gets one chance
Given by chance
To pass through
And be curious about the passing

... It is not a place of peace
Nor a tent or a palace
But it is fate
Dressed as life

August 24, 2017
© Vahé A. Kazandjian, 2017




Thursday, August 10, 2017

One Hand isn’t Enough to Write With (Abdellatif Laâbi)







But to invite
It still takes one
To touch another hand
Under an unmoon night
Or in the heat of the desert

To reach for the clouds
It takes the most beautiful
Of all births:
That of an idea
To hold
In the palm
Of that
One hand

To reach inside the caverns of
Oneself
It takes one hand, made into a fist
To hold the sternum
Before all pain
Is shared

Yes, it still takes one hand
To wave goodbye
At a train station

… And, it takes that same hand
To keep waving till the train becomes night
And
To come down
To your face
And hold the tears
For the next train
The next star
And the next invite

August 10, 2017
©Vahé A. Kazandjian, 2017


I borrowed the title of my poem from Abdellatif Laâbi, a Moroccan poet. His original poem was written in French entitled “Une seule main ne suffit pas pour écrire

I took the above photograph in Morocco.

Tuesday, July 11, 2017

The Wolf We Feed





Two wolves
Unrelated to any forest
Found their respite
In a wondering soul

One ate only when hungry
The other hunted even when full
Yet they slept touching their tails
With their face, at sunrise

Two wolves
Made the welcoming soul
Their forest
Without wondering why

One listened to the echo
Deep into the scorched forest
That once was a soul
Where poetry had its own corner

The other hunted every line
Every stanza
Of any poem left
And made the echo vaster

.. And in the shade of a final word
Two wolves, curled at sunrise
Touching their tails
For comfort

July 11, 2017
© Vahé A. Kazandjian, 2017


Inspired by a Cherokee story about each human harboring two wolves in them. One kind, one not. The wisdom of it is that the wolf that survives is the one we feed. 

Monday, July 3, 2017

I Do Not Live: I Burn (Peyo Yavorov)





There is no baptism
But there is fire and people leaving
Without having time
To search
For their Sunday cloth

Deer, rabbit and eagle
Wonder in the deep smoke
And hummingbirds hover above
What were gift, nectar and morning dew
A few days ago

Ashes find their way
To every soul and every meadow
To tell the story of what was all bloom
The story of what will bloom again

Ashes get also lost
In the winds that throw us around
Shore to shore
Valley to valley
Memory to lament

But when rain comes
Fires go dormant
And ashes turn to promise
For the soul of what remains
And the gift of all that burned:

Healing

July 3, 2017
© Vahé A. Kazandjian, 2017


PS/ It is the season of destructive forest fires in the U.S Southwest. As I smell the smoke from thousands of burning acres of trees and grass, I recalled a poem by Bulgarian poet Peyo Yavorov called “Two Souls

Wednesday, June 28, 2017

Crow Feather on My Path




Pain defines itself
Like a crow that drops a feather
And never looks back
Pain defines itself
Without excuse, without regret

A tender whisper
At sunrise
Defines itself on your pillow
As part of you
For you
Yet a whisper in never loud
Even when allowed

There is little joy
When you find the black feather
Upon your path
At sunset or at high noon
And put it in your bag
In fear that it can fly
By itself

A name you still remember
Defines itself
As that part of you
You lost, near a vast sea
Or to forget pain

... And you want to remember
But you now have that black feather
A crow dropped upon your path

So you sharpen its tip
And you dip that feather
Into the night-dark ink
Of your memories
And give the name you once forgot
A new name

To define itself

June 28, 2017

© Vahé A. Kazandjian, 2017

Saturday, June 17, 2017

The Danube Just Flowed On (József Attila)



Half a face
Yet two eyes
To see what others will wonder
As if new

A heart where no secrets
Talk to each other
And on August nights
Float as Jasmine blossom in a clay pot

Hands aging and slow
Yet they have left no scars
For what they touched was touched before
And what they held was already gone

The rivers have passed
And their waters have kept
Little

June 17, 2017
© Vahé A. Kazandjian, 2017


I was reading poems by József Attila translated from Hungarian. The mood in many of his lines reminded me of a photo I took from the castle of Buda. It was a foggy and cold day, the historic palace of Pest was in a dream, and the Danube “just flowed on.”

Saturday, June 10, 2017

While I Was Not Looking



It was discomfort
As beauty found my word
And forgot to end it
With a point

Instead
A life was made of it
That word
That name
As if a holiday gift
Left wrapped in its own ribbon

It was discomfort then
But now
As days get numbered
Like the gallop
Of an aging race horse
My word writes itself
At the start of every
Ending point

… The passage of beauty
And the shadow it left behind
Remain my cherished gifts
Even if
I have never untied
The yellow ribbon

June 10, 2017

© Vahé A. Kazandjian, 2017

Friday, May 26, 2017

Thank You, Again!

Two years ago, I posted a “Thank You” to all the readers who visited my literary and photography blog sites. As an artist, I felt immensely delighted that my thoughts and photos had been read more than 10,000 times by visitors from 62 countries.

Two years later, I feel even more energized to keep my blogs active and vibrant. Indeed, almost 45,000 times has my work been read, viewed and commented upon!

It is pure pleasure to realize that I rarely know who reads my pages but that you are there, perhaps intrigued, perhaps eager to see what film photography can still do, or how a polyglot can bring in thoughts from various cultures to state a generic, panhuman idea or feeling.

For all of you who remain unknown to me, a big hug!

May 26, 2017
© Vahé A. Kazandjian, 2017


Sunday, May 21, 2017

The Inside Place








A place to fall
While standing up again
A place to call
In sunny days or rain

There is spring blossom and there is ruin
Vast silence and sweet whisper
There old men recall and memories run
Now with breaths short as if final winter

A place to fall
In spring or an August night
When all around have lost their soul
For that place far in flight

But
There is little left in that place
A name, a balcony, a clay pot of jasmine
Blooming in the long night and space
Where the sea met its sand, and missed the last dance

May 21, 2017

© Vahé A. Kazandjian, 2017