Sunday, October 12, 2025

Celtic Samhain, Halloween, Superstition, and a Birthday

 

 



 

“Write a story for me, for my birthday,” my friend said.

… I was looking through old photos, and I came across one that I had taken in Scotland sometime in the 1990s. I could not recall the name of the cemetery nor the castle in the background, but the trip I took with a colleague around Edinburgh remains vivid in my memory. And since my friend is of Scottish heritage, and Halloween is a couple weeks from now, this ghoulish photo gave me ideas for her request of a birthday story.

 First, today’s Halloween originated from the Celtic celebration of the harvest ending and advent of winter, known as Samhain. The tradition of wearing creative costumes on Halloween is said to be derived from the Celtic belief that on October 31st the spirit of the dead return to haunt the living. So they wore creative costumes to fend the unwelcomed spirits away. The photo I took, well after sunset with my Nikon F2 has all the feelings the 2,000 year old Samhain tradition embodied regarding the dead, their eerie spirits, and a castle in the dark.

Second, I do not know how to write a story en guise of a birthday wish!

 

… I traveled for international health research work to Ireland and the UK more than a few times between late 1970s and-2000s. I found a couple of photos from Edinburgh that capture the Scottish spirit in a vivid way, through the pub names and signs:





As for a story, as requested by my friend, here is one that stands out:

In the late 1990s, at a conference in London, I met a most impressive participant from Edinburgh. A physician and professor, she was as “Dame”, the equivalent to a “Knight” title given to men to honor their achievements, in the UK. However, what impressed me most was her humility and life well lived through the sciences and the arts. We communicated by written letters (ah, those past times’ habits...) for a short while, and she proposed that I check with her next time I plan to be in Edinburgh. Which I did, and we met on a typically “low skies” afternoon.

“Since you like to cook and experiment, I can take you to an eclectic restaurant” she suggested. “The chef cooks only for a few people every night, and there is no menu – you eat whatever he had prepared that day.”

It was an offer I could not refuse.

The restaurant had four tables arranged to accommodate the ancient space or an edifice built centuries ago. Candles and a candle round chandelier displayed the shadows on the walls from any movement the chef, the single server and the patrons made.

“Today’s dinner is a windy day dinner,” the chef let us know.

As my friend smiled seeing my inability to guess what we were about to be served, the chef continued:

“On windy days I walk around the castle. Sometimes, the wind picks up and the pigeons lose their feet, or forget how to fly. I gathered enough for tonight,” he ceremoniously informed us.

And, after pouring a glass of Aberfeldy for each one of us, he went to his “cooking area” to prepare the windy day special.

It was my kind of food, prepared sublimely, even if I doubted the veracity of the chef’s story. A thin crust pie for each person had two pigeons’ torsos proudly placed upon pesto risotto and wild mushrooms.  And the environment was that of a time travel.

“Travel well,” my “Dame” colleague said as we left the restaurant. And we lost touch after the thank you letters we exchanged.

 

… A year later I was back to Edinburgh this time meeting with a dear friend, a physician and a philosopher, who cherishes the moments we have talking about the Scottish philosopher David Hume, rather than health care. Actually it was on that trip that I took the photo of the cemetery and castle. And also on that trip I learned about the “whitening” of David Hume’s toe on Edinburgh’s Royal Mile, near the High Court. It seems that tourists and locals with a wish had started a tradition of rubbing the bronze statue’s toe for good luck in their endeavors.

“And say that Hume rejected the validity of all superstition in his works,” I recall my friend saying.

Of course superstition and rubbing parts of statues remains a well anchored human behavior in spirituality and wish-making. Here is a public domain photo of the Molly Malone’s statue in Dublin. The superstition is always the belief in good luck; the Irish seem less approving of rubbing statues’ breasts than the Scotts are regarding rubbing a bronze big toe.



But the English in London are the ones who took action – indeed; the statues of Winston Churchill, Margaret Thatcher, Clement Attlee and David Lloyd, at the entrance of the Commons chamber have been involuntarily getting foot massages since Churchill’s statue was the first to be unveiled in 1970. In the past half century, these four statues have been seriously damaged (at least the feet of the above four persons, and the Parliament has placed these statues and their toes off-limits to all wishing to have good luck in the Commons chamber.

Finally, while the above examples are about the “rubbers’ ” superstition and hope for good luck and success, there are more prominent hopes associated with the ritual in question. For example, it is common for sailors to touch or rub parts of statues they associated, say, with maritime activities (fishing, war, etc). And what can be more promising for good fishing sorties or survival of maritime military conflicts than the rubbing bronze statues sirens’ breasts! Here is a photo I took about that ritual at the Port of Baltimore, Maryland:


 

… Somehow, this story transformed itself from Halloween to superstition, passing through toe and foot massage.

So, to make that circle close, here is a photo I took in Taipei of a walk-in massage parlor in the street. I was amazed to see a dozen men, lying on their backs in perfectly aligned parlor seats, having a foot massage. I was told that it was a common practice to take the day’s pains and troubles away after returning home at night.



The masseuse was happy and intrigued to see me point a vintage film camera at her.

 

October 12, 2025

© Vahé A. Kazandjian, 2025

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