Sunday, February 11, 2024

Heartfelt "Thank You" to Readers of my Blogs

 

I started my first blog in 2005 in memory of our daughter who passed at the age of 12. Since then I have shared my interests in various forms of expression through three blogs covering my photography and darkroom work (2013), my essays and poetry (2013) and paintings/sculpture inspired by the Southwestern arts (2017).

At the beginning of 2024, I was humbled to surpass more than 80,000 views of these blogs from 60+ countries. The past decade has been a delightful departure from the media I had used in the past all of which included printed matter of books and articles. And in some instances, while readers of my blogs are kept anonymous, many have continued to communicate with me via email.

For all of you unknown or known, I want to express my gratitude for reading what I post.

And for any new visitor to one of my blogs, here are the coordinates if exploring is something you enjoy:

I provide the links to my latest postings. As in any blog, previous posts can be read by scrolling down or choosing the years of posting shown on the right of the screen.

B&W photography blog (2013)

https://liveingray.blogspot.com/2023/12/a-1967-ricoh-singlex-tls-from-antiques.html

 

Essays and poetry (2013)

https://www.blogger.com/blog/posts/3446791370092270154

 

Painting and sculpture (2017)

https://vaheark.blogspot.com/2023/11/woman-and-quail.html

 

Many thanks!

 

February 11, 2024

© Vahé A. Kazandjian, 2024

Friday, February 9, 2024

When an Echo Finds its Voice

 



We are all the echo of the past. The echo of ideas, of secret tremours, and of black cats crossing streets. Most of us remain an echo and our journey becomes a simple passage.

The echo of the future somehow resonates in a few of us. The unhappened find us and our passage becomes a personal gift, not the harbor of passed age. It becomes a destination we know we cannot reach.

Until, on an August morning, we listen to the rain drops run down the window panels, and we find our voice. We are not an echo anymore. We become simple and grateful.

And that personal gift, we share it with someone. With others. And we take only from ourselves. And we give only from ourselves.

 

February 9, 2024

© Vahé A. Kazandjian, 2024

Sunday, February 4, 2024

Siamo Tutti Semi in Attesa della Pioggia

 


 

It was mid-1970s, in Bari, Italy. A port in South Italy with a rich history of Greek and Roman influence. Piazza del Ferrarese was where I walked every day admiring the medieval habitational structures mix with modern ones. In early morning, it was my favorite environment for B&W photography.

In my travels, Bari remains one of the three places I have discovered historic Armenian churches where there were no or only a handful Armenians still living. The other ones were The Armenian churches in Armenopolis(1) (Gherla) in Romania, and in Singapore(2,3).

As I came out of The Church of San Gregorio, I took my 1953 Kiev camera out of my bag, which got the attention of a young artist who was sketching the church.

Un purista! he exclaimed.

He wanted to see my camera, so I sat by him.

I like old cameras I said and I like your work with charcoal.

He rolled a cigarette and asked why I was visiting the church.

I am Armenian, and Saint Gregory the Illuminator is the patron saint of Armenia I replied.

While still playing with my camera, he introduced himself:

I am a student at the Bari Academy of the Fine Arts, and the Church of San Gregorio is my project for this week. Before painting, we have to learn the history of the monuments, so yes, I know about this Armenian Church. Did you know it dates from the 10th century?

So, for a short while we talked about ourselves.

You are the first Armenian I have ever known he said. Keep talking, but do permit me to keep sketching as the shades change quickly with the light.

At some point he said:

You have been inside the church, did you see the three navate della chiesa?

I did not know what navate meant.

Each church corridor is called navata, amico. There are three navate in this church, and the façade we are now looking at is tripartite matching the internal architectural theme. My goal is to capture this façade in a way that my painting tells the story of the three navate.

We were quiet for a while, so he rolled another cigarette.

The shades are gone, I have to come back tomorrow he said. I hope you come back again to take photos with your camera antica. This church has the most Romanesque façade in Bari. Maybe I will see you again?

I smiled:

You called me a purist when you saw my camera – I think I will be back. You and I wait for that moment to capture, that moment that fleets, that moment that makes our experience uniquely shared with others.

As he was packing his drawing pad and pencils, he became philosophical:

My teacher says Siamo Tutti Semi in Attesa Della pioggia (we all are seeds waiting for rain) – maybe you were my rain today. Maybe my painting will incorporate more than what my eyes have seen. Gracie!

 

February 4, 2024

© Vahé A. Kazandjian, 2024


 About the photo: I took it inside a historic Italian church near Bologna, years after my trip to Bari.

References

1.      https://vahezen.blogspot.com/2016/03/armenopolis-romania.html

2.      https://vahezen.blogspot.com/2015/03/a-stone-to-turn-page.html

3.      https://liveingray.blogspot.com/2017/11/armenian-diaspora-salmon-syndrome.html

Saturday, January 27, 2024

Two Seven Letter Words that Make Us Human

 





 

There are seven notes

In a scale

When minor but eight

In melodic

 

There are seven days

In a lifetime

When harmony fills the soul

In content

 

There are seven dwarfs

 

For each Snow White

Fairest in the land

Exiled to a cottage

 

There are seven satellites

Around Neptune

But Pluto, the dwarf planet

Has only five moons

 

In Greek, Spanish and Italian

Cats have

Seven lives

They carry out alone

 

There are seven words

For love in Greek

From eros, philautia and ludus

To pragma and agàpe

 

But

There are two words

Of seven letters made

That all alive, in all times

And in all languages

Wonder alike

 

"FOREVER"

and

"ETERNAL"

 

January 27, 2024

© Vahé A. Kazandjian, 2024

Monday, January 22, 2024

Nights in a Ship

 







Two nights in a ship

Watch the drift

On the forgetting sea

Leave no trace

Of the passage

 

There is no fear

Just the joy of silence

Wrapped in the mist

Of what once were

Tempests

 

There is no more wonder

Of discovery in sunrises

Or of the unknown paths

Which once

Found new coves

 

Two nights in a ship

At peace

With the journey

 

January 22, 2024

© Vahé A. Kazandjian, 2024

Thursday, January 11, 2024

Jamais Vu – When the Familiar Becomes Unknown

 



 

I grew up in a home of music, medicine, literature and the arts. In addition to the daily stimulus the environment provided to our budding brains, my parents made sure that my siblings and I learned about exploration by reading. In fact, we did not have much choice – only my father watched TV exclusively for tennis and soccer matches, and there were no naked walls in the apartment. All vertical spaces were covered with bookshelves, hanging wool or silk carpets, and paintings.

So, I started daily reading very early in my life. Often these were children’s books my parents would give us to read and then tell them what the story was. Other times, driven by curiosity, I would pick a book and try to read. We did not understand most of what we read, but that tabula rasa of a brain found ample space to store things. And over the years, uninvited and capriciously, these silent words found their way to help us understand our life experiences.

One of the books that influenced the 60 years of my life after reading it was “L’oiseau Bleu” (The Blue Bird) by Belgian poet Maurice Maeterlinck. Premiered as a theatre play in 1908, it tells the story of girl called Mytyl and her brother Tytyl in search of happiness by symbolically pursuing The Blue Bird of Happiness. Their search is directed and helped by a kind fairy called Bérylune. After learning about material riches and opulence, brother and sister return home only to realize that happiness was at home, all that time, in their backyard.

I recall my father telling us, at numerous crossroads of our lives “remember, the Blue Bird is in your backyard, do not look for it in other places.

And time passed. And I eventually returned “home” to indeed understand what Maeterlinck was saying.

 

... I was reading about a new research that got the Ig Nobel Prize in 2023. This Nobel Prize is an eclectic recognition of unusual studies that “make people laugh and then make people think” about topics encompassing medicine, science and literature. I therefore enjoy allowing my curiosity to learn about the research honored through these annual Prizes.

The Prize winning research tackles the rather intriguing and clever question about the possible anti-thesis (or opposite) of the “déjà vu” phenomenon when the mind is engaged in the same repetitive processes. The “jamais vu” (never seen) experience is not a new concept or phenomenon, but exploring the association between repetitive action and jamais vu may be new research.  The authors (neuroscientists from Université de Grenoble Alpes (UGA)) define the thesis and anti-thesis as follows:

Repetition has a strange relationship with the mind. Take the experience of déjà vu, when we wrongly believe we have experienced a novel situation in the past – leaving us with a spooky sense of pastness.

Jamais vu may involve looking at a familiar face and finding it suddenly unusual or unknown. Musicians have it momentarily – losing their way in a very familiar passage of music. You may have had it going to a familiar place and becoming disoriented or seeing it with “new eyes.”

It is an experience which is even rarer than déjà vu and perhaps even more unusual and unsettling. When you ask people to describe it in questionnaires about experiences in daily life they give accounts like: “While writing my exams, I write a word correctly like ‘appetite’ but I keep looking at the word over and over again because I have second thoughts that it might be wrong.”

Ok, I am not wearing my academic researcher hat as I quote the research since it is not a new definition or observation. Indeed, in clinical psychology, “jamais vu” is associated with aphasia, epilepsy, and some types of amnesia. In fact, there is yet a third variant of this phenomenon defined as presque vu (almost seen) when we feel that something is on the “tip of our tongue” even when we had not known that word, name or place before. Or, “almost” remembering something that we may or may not have experienced before.

 

So, why did this non-novel research got me thinking? In an interesting way, it felt like déjà vu and jamais vu at the same time. Especially because it brought back (what was the connection?) the guidance L’oiseau Bleu gave to my behavior – that we often engage on journeys in search of beauty, love, comfort, etc without first exploring what is around us. And, that we do not often realise that what we seem to remember across our repetitive and repeating journeys were not discoveries but wishes.

Or as R.M. Rilke said

                                       The only journey is the journey within

It is the serpentine flow of that internal river that makes our journey an adventure. But the comfort I most feel is when Rilke’s definition becomes a repetitive search, not an experiment for discovery. In some ways, it is like looking in the mirror with a purpose, time and time again.

And, as I took yet another trip on that inner river while writing these lines, I repeatedly “heard” my mother telling me and my siblings

“If you look for beauty, do not forget to take it in you on your search. If not, you will never find it”

And what a lovely search it has been!

 

January 11, 2024

© Vahé A. Kazandjian, 2024

 

 

Friday, December 22, 2023

Kachi-Kachi Yama

 


 


 

There is rarely enough time

Except wasted time

Lost time

And time 

To forget 

 

Yet in secret gardens

Streams stay still

For the space of a flow

To let lonesome

Trout

Jump

 

While hands tremble

And names lose their faces

They become cherished time

Two arms moving

In an old clock

 

There is never enough silence

When the clock rewinds

After stopping its tempo

And reminds us

That old dogs sleep

 

To wake up again

In lost time

In stolen time

In the secret gardens

Of remembrance 

 

 

… There is sometimes enough time

For moments we missed

Even before they too left

For better times

Where names

 

Got new faces

 

December 22, 2023

©Vahé A. Kazandjian, 2023