Monday, March 23, 2020

Pandemic and Introspection




Sometimes, a free moment is all it takes to fill a personal time with the lament that it is already too late to live it again.

Sometimes, there can be only one memory to make you unnoticed to all around you. You become your own island; no one notices a tiny island in the ocean. And the island is covered in night blooming jasmine, coquelicot and gardenia flowers which fall in the ocean and float around the island. Around you.  And it is the memory of that one who passed that stays in suspense upon these fields of flowers and smells. But unannounced, the aroma from a pine tree in April, or the taste of Arabic coffee on a hot August noon suddenly freezes all around you. You become who you were when you were wondering what you would, one day, become.

Sometimes, all it takes is the sigh of a woman cozy under a blanket. A simple act of selfishness that is suddenly shared and treasured. And you recall the night under the stars; and you almost smell again the acrid smell of the room. And the woman under the blanket now has curly dark locks; and a minute later she is a brunette with a lingering cough. And then she has no face. And when you want to kiss her, you see she has your face. And you do not want to kiss your own lips. So you shut your eyes and stay next to her, because sometimes, all it takes is the woolly smell of an old blanket.

White wine has a place in moments when the regret is to not having time left to try again. Perhaps to do it right this time. Perhaps just to listen as the only act of loving. White wine is fine for regret. But when the memory is for those wondering eyes; when the world of every day becomes too small for an old thought, and when the name of a flower is all you need to feel against the harsh, woolly blanket upon your aching hips. Then the present becomes a must to live while regretting that you cannot live as who you thought you would become when you did not know who you were. On those times, wine has to be of old tannins; wine has to come from old vines. Wine that can only be deeply incarnadine. On those days, such wine should be drank alone upon a balcony still wet of the afternoon showers.  A balcony where others made love. Often. And left doubt in every corner of the Terra Cotta floor.

And, sometimes, you realize who you are. It happens within the space of making green tea in a two star hotel room. Or after drinking Puerto Rico's rum on a busy beach late in the night. And that realization is disappointing because you knew who you were all along but did not want to face it. You had hoped that someone from under that blanket will tell you a different story. A story you would believe; a story you could tell yourself when the wine is white and the days predictable.

But often, there is no one to tell you a story about yourself. It is you against the hope of a different time. And you lose. Because you cannot be who you never were.

March 23, 2020
© Vahé A. Kazandjian, 2020

PS/ The photo is from my balcony of the night sky against the mountain range. I think there was a shooting star on the upper right quadrant of the frame.

Tuesday, March 17, 2020

Tir na nOg – the Celtic Land of Youth



During my first visit to Ireland in the 1970s, I learned about Cork gin, lamb stew that got better a few days after it was cooked, and Tir na nOg. In those days, the entire planet was the “land of youth” for me so Celtic mysticism meant little.

That was then, 45 years ago.

With social distancing, endless statistics about the pandemic that has taken the planet by surprise, I went back to moments when a pint of Guinness was for social propinquity, when the Mediterranean sea was that piece of bluest sky which fell upon the earth on a warm August day, and when many of my friends had dark curly hair.

Today they are a parade of names. Many of my friends are frozen on paper as black and white photographs. The rest do not have black curly hair. Most do not have hair anymore.

Tir na nOg.  I learned that word over breakfast in Dublin. I still remember the address –  {XX} Knocklyon, Dublin 16. Thick bacon, black pudding, fried tomato and mushrooms.  And Cork gin. The cast iron skillet had a well where the fat from the pudding and bacon gathered so the tomato and mushrooms can be cooked in that fat.
I was told that the Cork gin would unclog any artery that would consider such beautiful breakfast too fatty.

“There is no afterlife – it is all here.  Flame-haired, freckled women, men who puff on their pipes, houses of stone, a flute, a fiddle and a Tin Whistle. The Land of Youth shrinks when you give your time away.”

That was then, 45 years ago.

… And I went to Ireland a few times again, and I traveled around the globe at least once. In every city, every remote village, every port and airport I left a piece of me.

When I came back, all I had kept was my time to myself. For myself. I did not give it away.
But, time has its own pace and steady hand. I learned that it does not stay for long. Even if you do not give it away.

Tir na nOg. Perhaps there is no afterlife. Just Cork gin, an iron skillet with a well, and flame-haired, freckled women.

The land of youth is a moment in time, where you do not give your time away. You just cover it in promises.

March 17, 2020
© Vahé A. Kazandjian, 2020

Wednesday, March 11, 2020

The Armenian Church




Pointed domes
Volcanic
As the mountain
That gave its name
To a language
And its people

Carved in the mountainside
Or in lament upon vast plains
The dome kept its support
When arches fell
In silence

But
Height exceeds length
As the church still stands
In the Highlands
Where a people defied
And remained

Baptismal water
From the font of ages
Drained into the red soil
And became blood
Itself

It may be basalt or volcanic tuff
Yet when it lies upon
A pagan temple in peace
Every stone becomes a gift
An offer
And a chant

Far are the fields
And high remain the mountains
Where Jupiter, Juno and Minerva
Gave the sacred scale
To build columns
And defy hate
And defy time

Time to be patient
Time to not forget
For stones may return to earth
But pointed domes
Of that volcanic mountain
Will always
Call
Its people
Home

March 11, 2020
©Vahé A. Kazandjian, 2020

Saturday, February 22, 2020

Pattern and Repetition





Ancient footsteps
Take me to a time
When leaving was discovery
And Mariana was just a poem

Cities were of concrete
Of steal and unshaven men
I still hear the footsteps
Lovingly in these streets I left
Dark, with the sound of every
Setting name

It was a time
To which we belonged
When self pity was a short poem
Marianas recited gently
In distant granges

... Time has since forgotten
(It has it hushed, yet has it delivered)
The call we often surrendered
To gentle evening memories
Of Mariana waiting 

But he never cometh
For leaving was discovery
Of what we already
Knew

January 22, 2020
© Vahé A. Kazandjian, 2020




Background: I re-read Tennyson’s “Mariana” published in 1830. I have read it, as I do with most poetry, at various stages of my life to see if it has acquired a new meaning, or if it has a new message since my last reading. Tennyson’s poem is based on Shakespeare’s “Mariana” in Measure for Measure where she hopelessly waits  for Angelo, her lover.

As for the reference for self-pity, it is from a poem by D.H. Lawrence, by the same name. It is a short poem (only four lines) but it has often returned to my recall as a thought when I read poetry. It is perhaps its short for line breath that breezes through lines by other poets.

Finally, the photo is of a sunset I watched a couple days ago from my window. I thought it fit well with the mood of the poems I was reading.

Monday, February 10, 2020

Femme Sans Masque




On recommence
Peut être sans l’oubli
Des vagues intérieures
Qui nous avaient
Délaissé
Le cercle
Devient point
Et son centre
Laisse tomber
Sans pouvoir
Se ramasser

On commence
Alors
Appelant le cercle
Un zéro tardif
On commence
Pourtant
À la sauvette
Car le moment
Nous tourne en
Rond
En trouble fête
En empêcheur
Du murmure qui nous
Gêne
À haute voix
Mais repose
Ses pleurs
Pour obsèques
Sans départ
Car

On recommence
Jadis
On avait
Souvent
Commencé

Le 10 Janvier 2020
© Vahé A. Kazandjian, 2020

L’inspiration pour ces mots m’est venue à travers une peinture « Empêcheur de Tourner en Rond » de l’artiste Canadien Claude Tousignant, 1964

Le titre est un jeu de mots sur le titre d’une peinture « Femme au Masque» par Lorenzo Lippi, 1640

Monday, February 3, 2020

Rebel Poets of Wine and Love from Iberia, Persia and Iraq

I wrote about Abu Nawas within the context of his philosophy of cure from alcoholism and a parallel to modern medical applications to behaviour prevention (https://vahezen.blogspot.com/2020/01/and-cure-me-with-that-which-is-my.html). Since Abu Nawas was born in Persia (today’s Iran) to a Persian mother but lived in Iraq as an Arab, a reader of my blog suggested that Abu Nawas’ love for wine may have roots in his Persian origin which until the 650s A.D was a culture of wine and music, rather than only a revolt against the rules of Islam Abu Nawas adopted in his lifestyle and poems.

Interesting comment, especially since I was not well versed in the “love and wine" poetry during the 10th century.

So, I read poetry by and analysis of Judeo-Spanish poets who were influenced by Arab poets such as Abu Nawas .  These Jewish poets in Al-Andalus discovered the Arabic meter and the qasida (ode) form often used by Arab poets before 1000 A.D. My exploration took me to choose three love and wine poets – one Jewish from Spain (Moses ibn Ezra, 1055 Granada, Spain), and two Muslim poets one from Iraq (Abu Nawas 756, Ahvaz, Persia) and one from Persia (Hafez 1320 Shiraz, Persia).

In chronological order of these poets’  birth, Abu Nawas paved the way to a poetry genre and a philosophy of existence.  Born in Persia, he spent his life in Iraq celebrating love as intoxicating and liberating as wine. He was the rebel against the rules of Islam.

Among his most known quotes translated in the West is from Diwan 164:

I bought abandon dear and sold all piety for pleasure. My own free spirit I have followed, and never will I give up lust

And perhaps the summary of his behaviour vis à vis the rules of Islam is:

My religion is my affair and other people’s religion is theirs

… Al-Andalus in Hispania (Spain) became the new center of Jewish thought and philosophy after Babylon (Iraq). Moses ibn Ezra was a Jewish Rabbi, a Spanish philosopher and a poet born in Granada and lived in Castile after the Jewish community of Granada was destroyed by Almoravids, a Berber Muslim dynasty originated in Morocco. Ibn Ezra’s philosophical work is most remembered for his treatise of the concept of a metaphor, while his poems are about love and wine (yayin) reminiscent of Abu Nawas’ work.

Ibn Azra’s most popular statement about wine has been translated as:

Bitter is wine, but it sweetens all bitterness 

… Hafez, the equally celebrated Persian poet as Rumi, was born in Shiraz.  While Persia became Muslim in 651 A.D after the Arab conquest of Persia/Iran, for centuries before that date Persia followed the Zoroastrian religion/doctrine. It was somewhere around 1500BC that Zaratustra introduced the tenet of worshiping only Ahura Mazda or Lord of Wisdom, perhaps introducing the first context for a monotheistic faith. The Zoroatrian religion was also in support of the arts and it is believed that wine was made in Persia, in Shiraz near Persepolis 7000 years ago.

Hafez, while a Sufi Muslim, seems to embody many of the historical Persian and Zoroastrian attitudes to love, wine, and spirituality. His rebellious attitude has influenced Goethe, Emerson, Nietzsche and even Queen Victoria! In fact, one finds Sherlock Holmes quoting Hafez through Arthur Conan Doyle’s writing.

Today, February 3, 2020, as I write these lines, Harper’s Magazine published an article on Hafez titled “The River of Wine” (https://harpers.org/blog/2010/09/hafiz-the-river-of-wine/) where a 2001 translation by Thomas R. Crowe of Ghazal No. 377 is reprinted and includes:

Bring me a cup of wine that is dark red and smells like musk.
Don’t bring me that expensive brand that tastes like money
and smells like lust

And

If I die, don’t let them bury me in a dusty grave;
Take my corpse to the Winehouse and throw me into a cask of wine!

… As in all research, it is unavoidable that one would discover ideas or events that the initial search was not intended to discover. Indeed, as I continued to read and establish cross links between historical periods, geography and poetry, I discovered another Jewish poet from Castile in the 1500s. Shem Tov (or Santob), who wrote in Castilian rather than in Hebrew, had a few lines translated in English that caught my attention. These are not about wine or love, but somehow they evoked a philosophy that has affected my existence in the past 50 years.

Indeed the lines are:

I find in this world two kinds of men and no more, and I can never find the third:
A seeker who seeks and never finds, and another who is never content with whatever he finds

(Translation by Translations by T.A. Perry, from The Moral Proverbs of Santob de Carrion: Jewish Wisdom in Christian Spain, Princeton Univ Pr November 1987, Ewing, New Jersey, U.S.A)

These lines reminded me of a poster I had on the wall of my dormitory room where three kittens, with various facial expressions were looking out of a wicker basket. The legend read:

There are three types of people – those who make things happen; those who watch things happen; and those who wonder why things happen

Over the past 50 years I have often thought about this simple paradigm, and asked myself which kitten I was in various situations.

And today, after thinking about three love and wine poets, a fourth Iberian Jewish poet made me realise that, contrary to Shem Tov, I have found the third type of men and tried to stay away from them!

February 3, 2020
© Vahé A. Kazandjian, 2020

Saturday, January 11, 2020

And Cure Me With That Which Is My Ailment (Abu Nawas)



I received a text message from a friend with a picture of him on a motorcycle. The message read “My present to myself for 2020.” I replied reminding him about the dangers of trying to behave like a 20 year old again. He wrote back “YOLO!”

YOLO? First I thought it was the make of the motorcycle, but a quick search confirmed that I belong to the generation who knows “Carpe Diem” but not “You Only Live Once”…
It made me think about an old question, however.

The YOLO mantra was what Abu Nawas, perhaps the most controversial epicurean-poet followed in his attitude and writings. Born in Persia in the 786 AD, he challenged the rules of Islam regarding alcohol and sex. Interestingly today there are beverage companies in his name, countless restaurants around the world, an Algerian LGBT  group, and even a street still popular in Baghdad.

… I was teaching a class in medical school years ago about the epidemiology of addictive behaviors. I always mixed anthropology and poetry in my lectures when demonstrating that many of what public health and medicine incorporate today were often recognized as part of human posture in various ancient societies. It was then that a student unexpectedly asked:

“Nikos Kazantsakis, in Zorba the Greek, said that to stop eating cherry pie you should eat them till you get sick. And Abu Nawas famously proposed that to get cured from wine drinking one should be given wine till so sick that could not think about alcohol again. Are these similar to preventing disease through vaccination? After all you prevent by injecting the disease causing organism in an attenuated form to build immunity.”

Ha! This was one of the moments that made me anxious to enter the classroom and hope that a curious mind would go beyond traditional course materials.

The word vaccine comes from vaccinia, the cow pox virus. In 1799 Dr. Edward Jenner observed that milkmaids in Gloucestershire, England who had cow pox pustules on their hands and forearms were immune to small pox epidemics. He took pus from these pustules and “vaccinated” otherwise healthy people in the parish and these did not contract small pox.  The concept of a vaccine thus was developed and later perfected by Louis Pasteur in 1885 for treating (not preventing) rabies in human who were bitten by rabid dogs.

Vaccines are among the best successes of medicine.

So, treating the illness with the agent that caused the illness is a concept that may run counter-intuitive at first glance but has implications beyond medicine and pathology itself. It is a philosophical proposition. If killed or attenuated bacteria and viruses can be protective of diseases caused by the normal or high virulence of these bacteria or viruses, can there be a parallel in philosophy or attitude?

Perhaps one can find many such attempts throughout human history, all being evaluated according to ambient ethical and spiritual values.

… And I recall my answer to that student:
             “All wars eventually end in peace, but can we call peace preventive of or a cure for war? “

January 11, 2020
©Vahé A. Kazandjian, 2020