The world is changing again. At least the part of the world where
I spent my youth.
I saw a map on TV about the Syrian conflict and two names
reached deep into my long locked memory vault and for a minute, I ignored the
passage of time, the vastness of continents, the languages I learned, and the
lessons I cherished.
Ras el-Ain and Qamishli.
… One of the Kurdish-Syrian intellectual’s works I first
read in the 1970s was the poetry of Saleem/Salim Barakat. He is a Kurdish writer, poet and intellectual
who now lives in Sweden. He originally described his approach as writing in
Kurdish using Arabic language. In fact,
his original poetry was influenced (in my opinion) by historical moments from
the Arab, Armenian, Assyrian and Yazidi cultures. And that is not surprising
since Qamishli, where he was born and spent his youth, is a melting pot of all these
cultures.
I have written about Barakat’s work before here https://vahezen.blogspot.com/2018/11/freedom-did-maslow-overestimate-human.html.
Today, after seeing that map on TV, I searched the Web for more and found a
very thoughtful literary site called Jacket2
(https://jacket2.org/about-us) that
publishes literary commentaries, reviews and interviews. There, I read a
commentary by Huda J, Fakhreddine an academic from the University of
Pennsylvania. It is a very well written essay about Barakat and his influence
in modern Middle Eastern and world literatures. In that essay Dr. Fakhreddine
has also included a few translations she and a colleague made of the most poignant
statements and imagery from Barakat’s 1983 work. Having read many of these in
their original language, I found the translation well representative of the
message Barakat sought.
Here are my favorites:
Writing: violence
testing the forgotten
and
Sound: the ruin of
form
… An academic myself, I often proposed that the answer is the death of the question.
And today, I hope the answer to that map on TV where burning
icons are placed atop the cities is not the death of the question.
Since all questions start with Why?
October 19, 2019
© Vahé A. Kazandjian, 2019
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